Entertainment

Here, she talks about playing Tangie in Tyler Perry’s screen adaptation of Ntozake Shange’s For Colored Girls, an ensemble drama co-starring Kerry Washington, Janet Jackson, Kimberly Elise, Loretta Devine and Phylicia Rashad.

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Shirley Verrett, an acclaimed American mezzo-soprano and soprano praised for her blazing intensity during a career that spanned four decades, died Friday in Ann Arbor, Mich. She was 79. Verrett, one of the top opera singers of the 1970s and 1980s, had been suffering from heart trouble.

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CNN’s Soledad O’Brien has a new book out called “The Next Big Story.” One of the anecdotes she tells is an encounter she had with Jesse Jackson who questioned her blackness. Here’s an excerpt…

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Steve Harvey’s popular morning radio program “The Steve Harvey Morning Show” will begin broadcasting on the cable network CENTRIC each weeknight at 9 beginning Monday (Nov. 15).

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Global icon, trendsetter, businesswoman, and multi-talented entertainer, Janet Damita Jo Jackson is a woman who needs no introduction. Her resume reveals an impressive combination of professional achievements and philanthropic endeavors, and she is currently…

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Shannon died Monday afternoon at Cohen Children’s Medical Center in New Hyde Park, on Long Island, of acute myelogenous leukemia, a common type of leukemia among adults, but rare among children.

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Ebony Repertory Theatre (ERT), Founder/Producer Wren T. Brown, announced today, that Phylicia Rashad is set to make her Los Angeles directorial debut with its production of Lorraine Hansberry’s classic play ‘A Raisin in the Sun’.

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Hosted by Nia Long, Black Girls Rock! honored the most exceptional women of color in the country from Missy Elliot to Raven Symone and featured performances and appearances by Malinda Williams, Shontelle, Lynn Whitfield, Keri Hilson, Ciara, VV Brown, Monica, Keyshia Cole, Estelle, Kym Whitley, and more.

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Set in Atlanta against the backdrop of the civil rights movement, “Driving Miss Daisy” centers on an elderly white Jewish widow and her deepening friendship with her African American chauffeur over a quarter of a century.

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With his sinuous baritone and romantic songs, Isaacs became a leading proponent of the mellow “Lovers Rock” style of reggae. He hit his stride in the mid-1970s with ballads like “Love is Overdue” and “All I Have Is Love.”

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