ABOVE PHOTO: Aunt Bam (Cassi Davis, left) and Madea (Tyler Perry, center) in ‘Tyler Perry’s Boo! A Madea Halloween.’ (Photo Credit: Dan McFadden)
By Jake Coyle
associated press
NEW YORK — Tom Hanks. Tom Cruise. Ben Affleck. None of them have been a match for Tyler Perry’s Madea.
In a surprise victory at the weekend box office, Perry’s Boo! A Madea Halloween toppled another A-lister as Hanks’ and Ron Howard’s new Dan Brown adaption, Inferno, went up in flames. Perry’s latest movie about his tough-talking grandmother remained number one for the second straight week grossing an estimated $16.7 million.
That was enough to scare away the third installment of the Da Vinci Code franchise. According to studio estimates Sunday, Inferno bombed with $15 million, about half of what more bullish predictions anticipated.
Sony Pictures and “Inferno” could take solace in stronger overseas business. In three weeks of international release, the Italy-set film has earned nearly $150 million. The studio also stressed that the $75 million budget for Inferno was half that of 2006’s The Da Vinci Code or 2009’s Angels & Demons.
“Certainly we thought of the film as for the international market. We knew that’s where the sweet spot was going to be,” said Rory Bruer, domestic distribution chief for Sony. “We got a few bad breaks, the biggest being this historical World Series.” (Friday night’s Game Three between the Chicago Cubs and the Cleveland Indians drew 19.4 million viewers, a 12-year-best, and Saturday night’s Game Four was watched by 15.1 million.)
Langdon (Tom Hanks) and Sienna (Felicity Jones) look for a way out of the Palazzo Vecchio in Columbia Pictures’ ‘Inferno’.
But the unexpectedly poor performance of Inferno was yet another example of an anxious trend in the movie business: More of the same isn’t working.
Poorly reviewed and coming seven years after the last Robert Langdon thriller, “Inferno” arrived long after the Dan Brown craze. “Angels & Demons” opened with $46.1 million in 2009. Efforts to adapt the third book in Brown’s series, The Lost Symbol, were scuttled in favor of Brown’s fourth installment, Inferno.
“’Inferno joins the long list of sequels that didn’t measure up to their predecessors this year and in particular this summer when only three of the 14 sequels released outperformed their immediate predecessors at the box office,” said Paul Dergarabedian, senior media analyst for comScore.
Hanks has still notched the fall’s biggest hit, Clint Eastwood’s Sully. It’s been an especially star-studded season, with Tom Cruise in Jack Reacher: Never Go Back ($9.6 million in its second week) and Ben Affleck in The Accountant ($8.5 million in its third week).
But Perry’s long-running character has fared better than each, at least in North America. The Halloween-themed Boo!, released by Lionsgate, has made $52 million in 10 days, making it Perry’s biggest hit since 2009’s Madea Goes to Jail.
Next week’s big North American opening, Marvel’s “Doctor Strange,” opened in 33 territories abroad where it kicked things off with $86 million.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1. Boo! A Madea Halloween, $16.7 million.
2. Inferno, $15 million ($29.1 million international).
3. Jack Reacher: Never Go Back, $9.6 million ($11.6 million international).
4. The Accountant, $8.5 million ($7.9 million international).
5. Ouija: Origin of Evil, $7.1 million ($8.3 million international).
6. The Girl on the Train, $4.3 million ($7 million international).
7. Miss Peregrine’s Home for Peculiar Children, $4 million ($7.5 million international).
8. Keeping Up With the Joneses, $3.4 million ($1.4 million international).
9. Storks, $2.8 million ($5.2 million international).
10. Ae Dil Hai Mushkil, $2.1 million ($10.7 million international).
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